Day 21

Re-using this image. I guess I'm re-enforcing the idea that a varied background doesn't work for an image that you want to come through undistorted, like your fiancee's face. The darker areas distort her face a bit and make this more of an abstraction than is necessary. I love the graphic-ness of this image and that one wisp of hair seals it. I am learning a lot in my painting days here. The funny thing is that I never really thought I would be a painter, but it really does seem to fit the more I try it out.

Day 20

wtf, right? Again, one of these that was just sitting around for a while, staring at me. After I finished the Molly painting the other day, I kinda felt like the background was almost so strong that it was fighting with the foreground, so I figure lets give this pattern a chance as a foreground on a pretty intense background that just didn't win me over at first, but I like this one a lot. Kinda one of those overphotoshopped things that you see online all the time, but the background is 100% organic and the foreground is playfully switching it up here and there--so not too rigid.

Day 19

This one is by no means new. It has been sitting almost done fore weeks, but I could never feel good at it. This past week I've been doing multi-day pieces, so I've been fighting with this one and I am finally ready to say it is done. This piece has a lot of movement and and a really good feeling, but simply is just too schizophrenic for my taste. But overall, pretty solid.

Day 18

So, this is a bit of a departure. Per Josh, foreground first: A beautiful Molly picture, but much less confrontational than I usually lean. Also, this is my first dot painting where there is absolutely no major distortions, my lines are even. The background is just pretty. Painstakingly pretty. Molly says this might be her favorite to date.

Day 17

This wasn't quite as poignant as I'd hoped, but it still cracks me up. I like making abstract and absurd the banal and comfortable. For once I double layered the white where necessary and for my enjoyment left the background a bit on the messy side, but I like things to feel a bit painterly.

Day 16

So, I think this one ended up a bit fugly, so I'm trying to think about another layer to add on it. Up close, it is really interesting, but overall just doesn't do much for me, but that's why I doing this 30 day thing, so I can be free to make a few duds. Or at least a background that I can get back to later.

Day 15 - halfway point

So, I was trying to make the background a bit more interesting, but clearly the value difference is too little and it is a bit hard to see whatsagoinon, so I'll be a bit more careful with this next time. If I would have swirled some yellow in there, it would have worked. I can't for the life of me find a heavy body yellow that is truly opaque. I originally planned on doing the foreground yellow, but it was just too uneven. Sad to say, but I think I might like the original more than the painting. Sad,

Day 14

So, this is simple, but not quite. The background is solid silver and the dots are black. This is the first time I have used an image without a high contrast ratio, so I significantly upped the ante on this one. I stuck with a recognizable subject ( a face because people naturally see faces everywhere says Walter Benjamin) and of course, one dear to my heart, Molly, not only is she people, but she's my favorite one. Each dot lovingly placed, tediously placed. So, the silver background is a reference to Warhol's silver paintings, as his homage to the silver screen from which he took so much of his source material, but the technique is only Warhol-esque in the sense that it is completely the antithesis to his technique--the technique is closer to Chuck Close who is all about painterly human qualities. So, to Chuck, enjoy, also, since you're rich, can I have some of your many many monies?

Day 13?

I've had a tough week, but I'll keep up from here on out. I dropped the yellow from the split. it works with the glasses, but I need the magenta and green glasses which I don't have. enjoy.

Stella!!!

Simple, Stella, with a little halftone in there as a throwback to my first dot painting, the 7 color Cody.